Recommendation: Michael Hyatt’s Writing a Book Proposal eBook

One of my big projects right now is putting together my next book proposal and I want to give a shout out to Michael Hyatt’s Writing a Book Proposal ebook for helping out with that process.

Hyatt in 30 electronic pages delivers very clear advice on what a book proposal should contain and how best to present it. For the complete novice, you are provided a outline of components you need to develop and the questions publishers are going to be asking when they look at your pitch.

Here were three things I was reminded of:

  1. “Developing a good premise is one of the most difficult challenges of good writing. It is, however, absolutely vital.” – When Jack and I were starting The 100 Best Business Books of All Time, we knew the value was being able to find out about dozens of books in one place. What we struggled with an aspect of the premise: Who were we writing the reviews for?

    Adrian Zackheim, our publisher at Portfolio, suggested we concentrate on the “third book buyer.” That was his description for the person familiar with the business book category, had read one or two of the classics, but got turned off by the run of the mill titles on the market.

    That simple image solidified the premise for us and made the writing process much easier.

  2. Who are the affinity groups for your book? – When I ask an author who their book is for and their answer is “Everyone,” I know there is going to be trouble. A book written for everyone is written for no one. The cliche is true.

    My friend Ray Bard always asks, “Where is the felt need? Who is going to cross the street to buy your book?” Remember that books are intellectual choices people make. Authors need to make sure they are writing to a real felt need.

    Ray then says “Who is going to tell their friends about the wonderful book they just found?” Natural groups already exist for the books you are going to write. They may read certain magazines (Real Simple or Popular Science). They may attend certain conventions (SXSW or ComicCon). Publishers want to see that those tribes exist and that you (yes, you) have the ability to connect with them.

  3. What is your competition? – Ridley Scott reportedly pitched Alien with the line “Jaws in Space.” The studio knew exactly what he was talking about in three words.

    Publishers want to know if there is a market for the book you are proposing . Like most media, everyone wants to release more of what already worked. But, as Hyatt points out, they also want to know how your book will differ from what is already on the market.

The ebook currently costs $19.97. The material is worth it whether you are writing a book proposal now or need some help in getting organized for the book you want to write.

Making Changes

Please forgive any weirdness this afternoon.

I have decided that I am going to get my templates working the way they should.

There may be some dust.

Update: Everything seems to be working.   This is what I intended from the start, but the templates were giving me fits. Hope you’ll come by and see the new layout.

Disruption from Two Directions

The book I have been recommending most over the last year is Clay Christensen’s The Innovator’s Dilemma. This is not a new book as the original hardcover came out in 1997.

The media has also been referencing the book as of late, in particular journalists from Wired Magazine. Clive Thompson also invoked the Dilemma in his article earlier this year on the rise of Netbooks. Robert Capps in his article The Good Enough Revolution for October issue mentions the book in reference to bottom up innovation.

Christensen’s thesis is that established companies are designed to take advantage of “sustaining innovations”, the sorts of ideas and inventions that create incremental improvements, and these improvements provide the inspiration for new products that better meet the needs of their existing customers.

These sorts of companies are ill prepared for “disruptive innovations”–game-changing technology or resource allocation that creates a new paradigm of performance. Disruptive innovations always offer inferior performance and higher cost at the start and incumbents disregard the developments because they meet neither the needs of their customers or demands of their shareholders. This is always the mistake.

Entrant companies, often the innovators themselves, are forced to find a new set of customers who value the innovation for a different set of reasons and this allows newcomers a small beachhead to operate from. As the performance of disruptive innovations improves faster than sustaining innovations, entrants are able to move into established markets, bringing with with them their lower cost structure. Incumbents are forced up market and out of their existing profitable markets.

The examples are numerous. Nucor started with low-quality rebar and went on to disrupt the entire steel industry with electric-arc furnaces. Amazon started with books and has gone on to disrupt retail as a whole using the Internet. Look at any part of the media industry and you’ll find disruptive, bottom up innovation.

Now consider Nicholas Carr’s alternate argument. In May 2005, Carr wrote a piece for Strategy+Business acknowledging Christensen’s work while suggesting another type of disruption–from the top down.

Carr provides equally compelling examples of disruption. Consider FedEx’s move into shipping. Their premium next-day offering bested both UPS and the postal service. This provided them a beachhead into greater package-delivery market. And while Carr’s uses the iPod in his essay, the introduction of the ultra-premium iPhone is an even better example of top-down disruption from Apple.

Here is Carr’s argument:

Innovative, topnotch products are usually very costly to produce. In the early stages of their development, only a small group of power users is able to justify their purchase. But production costs tend to go down quickly, as suppliers gain experience and scale and as the prices of the underlying technologies drop. At the same time, the broader market becomes aware of the benefits of the new product and increasingly open to embracing it. The astute innovator thus is able to use a high-end niche as an outpost for launching a raid on the broader market. The top-down disruptor simply follows the cost curve into the mainstream of buyers. In the process, it redefines the industry — and secures its own competitive dominance.

Christensen and Carr are both worthy of inclusion in your mental toolbox, as disruption from either direction can be a compelling strategy for companies to pursue.

a really short moment

There is going to be a moment and
it is actually going to be a really short moment,
in relationship to all this other
garbage
yougottadotogettothepointyougettomake the stuff.
But that is the thing that I kinda live for.
It is like there is this one moment where
you
figure it out,
and you get it,
and you think it is going to be the best thing you have ever did.

And it is really really exciting
and I never get over it
and it hasn’t changed in 34 years
and as long as you can feel that,
you can do it.

-Taken from and inspired by Paula Sher: Type is Image

[hat tip: Signal vs Noise]

Field Trip

My son went on a field trip to the outstanding Betty Brinn Museum today with his first grade classmates.

I am also on a field trip today. I’m taking the train down to Chicago to see Grant McCracken. Grant is an anthropologist who works with companies like Coca-Cola and IKEA to help them see the cultural implications to what they do.

He has authored several books and has another book coming out soon called Chief Culture Officer.

We’re going to talk about complex adaptive systems and the ability for cultural anthropologist to observe the behaviors going on within these systems.

I know, you wish you were here.

I promise this will be helpful for some other things I’ll be talking about soon.

PS I’ll try to squeeze in an interview about the new book.

See Need, Publish Answer in Three Months

When Twitter’s popularity took a big turn upward at the beginning of the year, OReilly saw an opportunity. Using Powerpoint as the development tool, co-authors Tim O’Reilly and Sarah Milstein created The Twitter Book in a few months. The electronic version came out in April and the print edition followed a month later.

Now, Gina Trapani of Lifehacker fame is doing the same for Google Wave. For this still invite-only product, Trapani with help from Adam Pash has written The Complete Guide to Google Wave. The site went up October 31st, exactly one month after the Google Wave Preview was made available to limited set of users. A preview pdf edition of the guide will be available some time this month and the first edition will be released in print and PDF in January. The Guide has already been covered by The New York Times.

Here are two great examples from both ends of the spectrum–an established (and, yes, progressive) publisher and a self-publication effort–of the short cycles that are now possible with collaborative tools and on-demand production technologies.

Love it.

Remember When?

Sergey Brin, co-founder of Google, made a surprise appearance at Web 2.0 a few weeks ago.

The part of internet lore that I had forgotten (or quite possibly never knew) was how little economic value there was search advertising at the start. No one was willing to pay anything for those text ads next to search results. Sergey compared it to remnants in today’s market.

Today, search advertising is a $10 billion market and accounts for roughly half of all internet advertising.

It is easy now to say that ads next to a list of things people were already are looking for would be a gold mine. When Google started, the market was saying ‘no’.